1. The Art of the Groove
...an exploration of rhythm in classical and popular forms

The focus in this program is on the fundamental rhythmic differences between European classical and American vernacular forms, using the rich historical connection to the traditional string quartet as the point of departure for a cross-cultural musical journey that begins with beethoven, and ends with... TISQ! We identify the "back-beat" as the key, unveiling it in its various stylistic guises with the help of the audience, and then embark on a simple and methodical layering of the basic building blocks employed in creating a jazz string combo, one instrument at a time. We discuss the various techniques that allow it all to happen, including innovative percussive techniques, emulation of other instruments (saxophone, guitar, trumpet, bass, etc.), non-classical phrasing, composition and arranging, and basics of improvisation. one of the highlights is an exploration of the American fiddle tradition, utilizing the second theme of Dvork's American Quartet. Also touched upon are odd meters in jazz ala Dave Brubeck, Hip-Hop, '60s rock ala Jimi Hendrix, R&B ala Tower of Power, and clave rhythms of Latin American music. There's even a little fun with Vivaldi's Four Seasons! Throughout all, the back-beat rules. 60 minutes.

2. It's About Time!
...masterclass formats to fit every type of school program

How often is it that young string students lose interest in playing simply because the musical option they are given have little relevance to their lives? The change to improvise can be sure gold for such students; we are fiercely dedicated to spreading the world that the bowed string instrument is one of the most versatile on the planet, and that there should be no limit to what is possible to play and play well, be it Bach or the Beatles. To that end, we offer masterclasses that fit every need, from one-hour sessions for beginners, to week-long intensive jazz string seminars at education institutions world wide. Much of our music is available in sheet music form for both string quartet and string orchestra (see the Shar catalogue for more details) and we also have study aid that we bring especially for teaching. However, because the printed page can distract students from using their ears and intuition in creating these new sounds, we try to avoid relying too heavily on written materials. Ultimately, this experience can leave the student with a much deeper appreciation of the storehouse of European classical literature that we all treasure and wish to preserve. Various times and formats.

3. A String Quartet is Like a Family
...a special program for younger audiences

This engaging and accessible presentation for children in grades K-6 utilizes the model of the family to help students understand how a string quartet functions and thrives. We draw comparisons between the interactions of a the quartet and the audience's families, giving children a personal reference point that greatly helps them to gain a simple but profound understand of the complex dynamics that drive musical groups. The child also learn to discern the many different styles the quartet presents, and young instrumentalists are presented with a model of what is possible to achieve on string instruments. Members of the audience are invited to participate through the presentation, joining in rhythmic clap-alongs, dialogue with quartet members and question-and-answer period following a rousing rock and roll finish. This presentation can easily be modified to include middle school students. 60 minutes.

The quartet always reserves time for questions. The question period is built into projected show times.

A great deal of support and sponsorship for Turtle Island's educational activity comes from ASTA, MENC, CMA, NEA, SHAR, Thomastik Strings, CodaBow, St. Louis Music, and Knilling Violins.